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Billed as “a scientific experiment into alcohols effect on
comedy,” Paul Anthony first came up with the idea when his comedy
troupe (Higher Than The Ground) was performing at an Improv festival
in ’93. The different groups from all over North America were
playing various games that all looked exactly the same. Born out of
boredom and the perverse desire to invent an improv game that would
smack some life into this very structured medium that supposedly supported
spontaneity, he whispered his idea to long time co-conspirator Devin
McCracken. |
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Drunk
Improv II Intro: Gathering Data
Video (fast internet required)
Drunk
Improv II Outro: Unanticipated Gift
Video (fast internet required)
CBC
Radio 3: Drinking To Discovery
Flash audio documentary (2003)
Read
article from Globe & Mail (2003)
CBC Radio Report (2000)
Audio
(slow internet)
Audio (fast internet
required)
“Right off the bat I thought it was hilarious. And
potentially dangerous. From that point on we joked and schemed regularly
about it.”
It wasn’t long before they started noticing that
alcohol was already being used by virtually every comedian as a tool to
‘loosen up’. Another question arose: ‘If drinking before
hitting the stage was almost expected, what is the difference between
these so-called professionals and some frat boy goof balls?’
Alcohol was accepted but until what degree?
Paul Anthony: “I wanted to cram as many people as we could
into one room under the Vail of entertainment and have them decide for
themselves if alcohol is funny or not, and how much is too much?”
Every
3 minutes and at the beginning of each improv they both took a shot of
tequila. They polled the audience regularly to find out who thought alcohol
was funny and who thought it wasn’t. The end hypothesis? Alcohol
can be pretty funny up to 6 drinks, after that? not so much. And after
16 shots in a very short period, completely disgusting. It can cause participants
to fall off 6-foot high stages on to their heads, rip each other’s
clothes and underwear off and beat each other to a pulp. And this can
also cause Paul’s mother to leave and other audience members (as
well as technicians) to jump on stage to try and break it up.
“We told the front of house staff that under no circumstances
were the stage doors to the lobby be opened or the house lights turned
on. The audience them selves had to decide when the show was over, and
they did. They even decided to join in!”
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